Reeducating Gaze: Critical Visual Literacy in the Age of Artificial Intelligence
Authorship
A.B.R.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
A.B.R.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
Defense date
07.07.2025 09:30
07.07.2025 09:30
Summary
It is evident that the democratization of digital tools has radically transformed the process of creating, distributing, and consuming images, turning them into a unique language that has redefined how we perceive reality. This new paradigm introduces critical challenges, especially as the growing prevalence of manipulated images contributes to a deeper erosion of visual trust. As a result, there is an urgent need for a robust form of visual literacy that enables individuals to distinguish between what is real and what is artificial with efficiency and critical awareness. Visual literacy, understood as the ability to interpret and produce images in a critical and informed way, is a concept that has evolved steadily since the 1960s, incorporating increasingly complex ethical, political, and sociocultural dimensions. This evolution has been dramatically disrupted by the rise of generative artificial intelligence, which blurs the boundaries between reality and simulation, calling into question the balance between truth and plausibility. In this research, using a systematic literature review approach, we analyze how technological accessibility acts as a key agent in the reconfiguration of image production and interpretation. Furthermore, we explore the urgent need for a reeducation of the gaze, a conscious, critical, and ethical engagement with visual content, in a society saturated with visual stimuli. This reeducation is essential to preserve the credibility of communication systems and media institutions in the face of increasing image manipulation; and it must be accompanied by the development of new ethical frameworks and regulatory standards. Such reeducation will be crucial to navigating the visual challenges posed by artificial intelligence without sacrificing the core values of truthful and transparent communication.
It is evident that the democratization of digital tools has radically transformed the process of creating, distributing, and consuming images, turning them into a unique language that has redefined how we perceive reality. This new paradigm introduces critical challenges, especially as the growing prevalence of manipulated images contributes to a deeper erosion of visual trust. As a result, there is an urgent need for a robust form of visual literacy that enables individuals to distinguish between what is real and what is artificial with efficiency and critical awareness. Visual literacy, understood as the ability to interpret and produce images in a critical and informed way, is a concept that has evolved steadily since the 1960s, incorporating increasingly complex ethical, political, and sociocultural dimensions. This evolution has been dramatically disrupted by the rise of generative artificial intelligence, which blurs the boundaries between reality and simulation, calling into question the balance between truth and plausibility. In this research, using a systematic literature review approach, we analyze how technological accessibility acts as a key agent in the reconfiguration of image production and interpretation. Furthermore, we explore the urgent need for a reeducation of the gaze, a conscious, critical, and ethical engagement with visual content, in a society saturated with visual stimuli. This reeducation is essential to preserve the credibility of communication systems and media institutions in the face of increasing image manipulation; and it must be accompanied by the development of new ethical frameworks and regulatory standards. Such reeducation will be crucial to navigating the visual challenges posed by artificial intelligence without sacrificing the core values of truthful and transparent communication.
Direction
TUÑEZ LOPEZ, JOSE MIGUEL (Tutorships)
TUÑEZ LOPEZ, JOSE MIGUEL (Tutorships)
Court
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
Beyond speed: uncovering the role and importance of data in television broadcasts and journalistic coverage of Formula 1
Authorship
R.B.R.
Master's Degree in Journalism and Multimedia Communication
R.B.R.
Master's Degree in Journalism and Multimedia Communication
Defense date
07.07.2025 11:30
07.07.2025 11:30
Summary
This master's thesis analyses the role and importance of data in television broadcasts and journalistic coverage of Formula 1, the main motor racing competition and the most followed annual sports series in the world. Through a mixed methodology, combining in-depth interviews with six specialized journalists and an audiovisual content analysis, the study compares their presence and function across different media - television, radio, print press, and digital media - and explores the historical evolution of their representation in television broadcasts. The results show that the increasing technification of the category has led to an increasingly intensive use of data in journalistic coverage, with a special prominence in print press, digital media and television. Likewise, a sustained increase in the presence of data in television broadcasts during the last two decades is observed, with a notable intensification in the last ten years. The analysis also reveals changes in the use of data according to their duration, moment of appearance in the race, narrative focus, or explanatory function, as well as elements that have remained stable throughout the studied period. ..............................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................
This master's thesis analyses the role and importance of data in television broadcasts and journalistic coverage of Formula 1, the main motor racing competition and the most followed annual sports series in the world. Through a mixed methodology, combining in-depth interviews with six specialized journalists and an audiovisual content analysis, the study compares their presence and function across different media - television, radio, print press, and digital media - and explores the historical evolution of their representation in television broadcasts. The results show that the increasing technification of the category has led to an increasingly intensive use of data in journalistic coverage, with a special prominence in print press, digital media and television. Likewise, a sustained increase in the presence of data in television broadcasts during the last two decades is observed, with a notable intensification in the last ten years. The analysis also reveals changes in the use of data according to their duration, moment of appearance in the race, narrative focus, or explanatory function, as well as elements that have remained stable throughout the studied period. ..............................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................................
Direction
Vizoso García, Ángel Antonio (Tutorships)
Vizoso García, Ángel Antonio (Tutorships)
Court
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)
The dissemination strategy of Chinese traditional culture on TIK TOK
Authorship
Y.L.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
Y.L.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
Defense date
02.13.2025 10:00
02.13.2025 10:00
Summary
Este estudio toma como objeto de investigación la plataforma TikTok para explorar sus estrategias y el impacto que tiene en la difusión de la cultura tradicional china. A través de un análisis exhaustivo de casos y contenido, se examinan las formas de creación de videos, la participación activa de los usuarios y los efectos de difusión que los videos relacionados con la cultura tradicional tienen en TikTok. El estudio resulta que una de las características más destacadas de los videos cortos, como la rapidez con la que captan la atención del espectador y su formato visualmente atractivo, combinados con el mecanismo de recomendación algorítmica de TikTok, han facilitado eficazmente la globalización de la cultura tradicional china. Este fenómeno ha permitido que una amplia variedad de contenidos relacionados con tradiciones y costumbres chinas sean accesibles a audiencias internacionales, lo que ha incrementado la visibilidad y el aprecio por la cultura china en el ámbito global. A pesar de estos logros, el estudio identifica retos en el proceso de difusión. Uno de los problemas más importantes es la simplificación excesiva del contenido. por la naturaleza de los vídeos cortos, los creadores se ven obligados a presentar conceptos complejos de manera rápida y a veces, superficial. esto puede derivar en una representación parcial o inexacta de las tradiciones. además, las diferencias culturales entre creadores y audiencias internacionales pueden generar malentendidos especialmente cuando falta contexto o explicaciones adecuadas sobre las tradiciones presentadas. esto puede llevar a interpretaciones erróneas o reforzar estereotipos que afectan la percepción global de la cultura china.
Este estudio toma como objeto de investigación la plataforma TikTok para explorar sus estrategias y el impacto que tiene en la difusión de la cultura tradicional china. A través de un análisis exhaustivo de casos y contenido, se examinan las formas de creación de videos, la participación activa de los usuarios y los efectos de difusión que los videos relacionados con la cultura tradicional tienen en TikTok. El estudio resulta que una de las características más destacadas de los videos cortos, como la rapidez con la que captan la atención del espectador y su formato visualmente atractivo, combinados con el mecanismo de recomendación algorítmica de TikTok, han facilitado eficazmente la globalización de la cultura tradicional china. Este fenómeno ha permitido que una amplia variedad de contenidos relacionados con tradiciones y costumbres chinas sean accesibles a audiencias internacionales, lo que ha incrementado la visibilidad y el aprecio por la cultura china en el ámbito global. A pesar de estos logros, el estudio identifica retos en el proceso de difusión. Uno de los problemas más importantes es la simplificación excesiva del contenido. por la naturaleza de los vídeos cortos, los creadores se ven obligados a presentar conceptos complejos de manera rápida y a veces, superficial. esto puede derivar en una representación parcial o inexacta de las tradiciones. además, las diferencias culturales entre creadores y audiencias internacionales pueden generar malentendidos especialmente cuando falta contexto o explicaciones adecuadas sobre las tradiciones presentadas. esto puede llevar a interpretaciones erróneas o reforzar estereotipos que afectan la percepción global de la cultura china.
Direction
Neira Cruz, Xose Antonio (Tutorships)
Neira Cruz, Xose Antonio (Tutorships)
Court
LOPEZ GARCIA, XOSE (Chairman)
Silva Rodríguez, Alba (Secretary)
Vizoso García, Ángel Antonio (Member)
LOPEZ GARCIA, XOSE (Chairman)
Silva Rodríguez, Alba (Secretary)
Vizoso García, Ángel Antonio (Member)
What is the audience willing to pay for? An analysis of the relationship between perceived value and funding models in digital media
Authorship
A.L.S.
Master's Degree in Journalism and Multimedia Communication
A.L.S.
Master's Degree in Journalism and Multimedia Communication
Defense date
07.07.2025 10:30
07.07.2025 10:30
Summary
The following research aims to analyze the attitudes, perceptions, and behaviors of the audience regarding payment for digital news content, considering variations based on user profile, type of content, or media financing model, as well as their loyalty strategies and the generation of added value for the reader. In turn, it seeks to under-stand how different financing models affect issues such as the credibility of the media and the perception of editorial independence. To this end, a mixed-methods study was carried out using a survey as a quantitative technique and a focus group as a qualitative complement. The survey sample was based on 101 responses from individuals over the age of 18 residing in the Galician region, aiming to gather a diverse and representative view of news consumption. Additionally, the focus group aimed to concentrate on the perception of young audiences who consume news media. The results of the analysis reveal, among other findings, a majority trust in subscription-based models and a growing distrust toward public subsidies, understood as a form of political control that may compromise content autonomy. It was also found that premium benefits are not among the main factors influencing the decision to pay, and that more abstract elements, such as prestige or the professional trajectory of the media outlet, play an important role, although the relationship between the print format and perceived prestige is not conclusive.
The following research aims to analyze the attitudes, perceptions, and behaviors of the audience regarding payment for digital news content, considering variations based on user profile, type of content, or media financing model, as well as their loyalty strategies and the generation of added value for the reader. In turn, it seeks to under-stand how different financing models affect issues such as the credibility of the media and the perception of editorial independence. To this end, a mixed-methods study was carried out using a survey as a quantitative technique and a focus group as a qualitative complement. The survey sample was based on 101 responses from individuals over the age of 18 residing in the Galician region, aiming to gather a diverse and representative view of news consumption. Additionally, the focus group aimed to concentrate on the perception of young audiences who consume news media. The results of the analysis reveal, among other findings, a majority trust in subscription-based models and a growing distrust toward public subsidies, understood as a form of political control that may compromise content autonomy. It was also found that premium benefits are not among the main factors influencing the decision to pay, and that more abstract elements, such as prestige or the professional trajectory of the media outlet, play an important role, although the relationship between the print format and perceived prestige is not conclusive.
Direction
Rodríguez Castro, Marta (Tutorships)
Rodríguez Castro, Marta (Tutorships)
Court
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
Gastronomic celebration: Website for the promotion and strengthening of traditional Galician gastronomy around the celebration
Authorship
S.P.T.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
S.P.T.
Master in Journalism and Multimedia Communication: New Trends in Production, Management and Dissemination of Knowledge
Defense date
02.13.2025 11:00
02.13.2025 11:00
Summary
Ruada Gastronómica is a project to disseminate Galician gastronomy that aims to reach Galician gastronomic culture to the galician young people. For this, informative and entertaining contents has been created to address various aspects of Galician gastronomy such as traditional recipes, restaurant establishments or gastronomic festivals, among others. This project is made up of a web space, which delves into all the topics covered, and also has an Instagram account, which presents microcontent that draws the attention of our target audience and invites participation, given that this project is essentially about collaborating, learning and sharing about gastronomy in a friendly environment. The main objective to be achieved with this project is to promote and strengthen Galician gastronomy and culinary culture among young people, thus promoting the intergenerational transfer of gastronomic knowledge. To achieve this great objective, we first propose a series of steps to be achieved: - Promote an intergenerational meeting point through recipes, compiling and sharing the recipes that our elders taught us. - Develop an information channel on Galician gastronomy through which the general public can stay up to date with Galician gastronomic events. Promote culinary talent and modern cuisine originating from the culinary tradition. - Introduce young people to the tradition and history that surrounds Galician gastronomy. All this is intended to be done in a fun, friendly and collaborative way through a multimedia language with which to create attractive and easy-to-consume content for our target audience.
Ruada Gastronómica is a project to disseminate Galician gastronomy that aims to reach Galician gastronomic culture to the galician young people. For this, informative and entertaining contents has been created to address various aspects of Galician gastronomy such as traditional recipes, restaurant establishments or gastronomic festivals, among others. This project is made up of a web space, which delves into all the topics covered, and also has an Instagram account, which presents microcontent that draws the attention of our target audience and invites participation, given that this project is essentially about collaborating, learning and sharing about gastronomy in a friendly environment. The main objective to be achieved with this project is to promote and strengthen Galician gastronomy and culinary culture among young people, thus promoting the intergenerational transfer of gastronomic knowledge. To achieve this great objective, we first propose a series of steps to be achieved: - Promote an intergenerational meeting point through recipes, compiling and sharing the recipes that our elders taught us. - Develop an information channel on Galician gastronomy through which the general public can stay up to date with Galician gastronomic events. Promote culinary talent and modern cuisine originating from the culinary tradition. - Introduce young people to the tradition and history that surrounds Galician gastronomy. All this is intended to be done in a fun, friendly and collaborative way through a multimedia language with which to create attractive and easy-to-consume content for our target audience.
Direction
Neira Cruz, Xose Antonio (Tutorships)
Neira Cruz, Xose Antonio (Tutorships)
Court
GARCIA OROSA, BERTA (Chairman)
Vázquez Herrero, Jorge (Secretary)
Silva Rodríguez, Alba (Member)
GARCIA OROSA, BERTA (Chairman)
Vázquez Herrero, Jorge (Secretary)
Silva Rodríguez, Alba (Member)
Nàstic-Málaga: Caressing the glory
Authorship
R.R.M.
Master's Degree in Journalism and Multimedia Communication
R.R.M.
Master's Degree in Journalism and Multimedia Communication
Defense date
07.07.2025 11:30
07.07.2025 11:30
Summary
This work presents Nàstic-Málaga: Caressing the glory, a multimedia report that provides an in-depth and moving account of the final match of the Second Division promotion playoff, lost by Club Gimnàstic de Tarragona in the final moments of extra time. This painful and unexpected defeat for Tarragona fans marks a turning point in the team's 2023/24 season and serves as the narrative axis of a story that goes beyond the simple sporting result. The report is presented through a website designed to offer an interactive and immersive experience. Throughout the report, other similar events from previous seasons are explained, highlighting the historical trend of missed opportunities, which gives a broader and more contextual dimension to the outcome of the campaign. It also provides a detailed summary of Nàstic's regular season during the 2023/24 season, with special emphasis on the decisive moments that allowed the team to reach the playoffs. The narrative focuses particularly on the four matches played in this promotion phase, culminating in the emotional final against Málaga CF. The story is told from an emotional and personal perspective, capturing the testimonies and feelings of both Nàstic fans and local journalists. The report combines multimedia elements such as photographs, videos, and hypertext, along with journalistic genres such as chronicles, classic reports, and in-depth interviews, to provide a comprehensive and intimate view. It also incorporates literary resources, such as the use of emotional narrative, which enrich the story and connect with the reader in a more intimate way, thus offering an immersive, moving, and reflective experience about passion, belonging, and suffering in football.
This work presents Nàstic-Málaga: Caressing the glory, a multimedia report that provides an in-depth and moving account of the final match of the Second Division promotion playoff, lost by Club Gimnàstic de Tarragona in the final moments of extra time. This painful and unexpected defeat for Tarragona fans marks a turning point in the team's 2023/24 season and serves as the narrative axis of a story that goes beyond the simple sporting result. The report is presented through a website designed to offer an interactive and immersive experience. Throughout the report, other similar events from previous seasons are explained, highlighting the historical trend of missed opportunities, which gives a broader and more contextual dimension to the outcome of the campaign. It also provides a detailed summary of Nàstic's regular season during the 2023/24 season, with special emphasis on the decisive moments that allowed the team to reach the playoffs. The narrative focuses particularly on the four matches played in this promotion phase, culminating in the emotional final against Málaga CF. The story is told from an emotional and personal perspective, capturing the testimonies and feelings of both Nàstic fans and local journalists. The report combines multimedia elements such as photographs, videos, and hypertext, along with journalistic genres such as chronicles, classic reports, and in-depth interviews, to provide a comprehensive and intimate view. It also incorporates literary resources, such as the use of emotional narrative, which enrich the story and connect with the reader in a more intimate way, thus offering an immersive, moving, and reflective experience about passion, belonging, and suffering in football.
Direction
Vizoso García, Ángel Antonio (Tutorships)
Vizoso García, Ángel Antonio (Tutorships)
Court
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
GARCIA OROSA, BERTA (Chairman)
NEGREIRA REY, MARIA CRUZ (Secretary)
Vázquez Herrero, Jorge (Member)
Do your communication: alternative information channels and their adaptation to the digital age.
Authorship
D.V.C.
Master's Degree in Journalism and Multimedia Communication
D.V.C.
Master's Degree in Journalism and Multimedia Communication
Defense date
07.07.2025 10:30
07.07.2025 10:30
Summary
Since the first steps and experiments of modern media in the 20th century, there has been both a communal and educational focus behind the operation of these platforms. As these media outlets became more professional, the communication channels that maintained this communal role continued to operate outside of commercial information fields, taking on the role of alternative news stations. Dedicated to sharing information from all possible fields, alternative media began to disseminate content outside the commercial sphere occupied by large news conglomerates. Alternative stations and publishers dedicated themselves to sharing a new face of information in a precarious manner, sometimes bordering on the legal issue. During the 20th century, these media struggled with numerous adversities, but with the arrival of the internet, their nature changed radically. With this new form of communication brought about by the application of the internet to traditional media, alternative channels experimented with new ways of operating, maintaining themselves, and reaching new corners of the world, creating new communities. This paper compares case studies to see how these alternative media have evolved over the course of their existence and then analyzes their changes with the introduction of the Internet as an essential element in all functional areas of these media outlets. This case study addresses objectives and hypotheses developed within a theoretical framework to understand the history of these media, their evolution, their present and their possible future.
Since the first steps and experiments of modern media in the 20th century, there has been both a communal and educational focus behind the operation of these platforms. As these media outlets became more professional, the communication channels that maintained this communal role continued to operate outside of commercial information fields, taking on the role of alternative news stations. Dedicated to sharing information from all possible fields, alternative media began to disseminate content outside the commercial sphere occupied by large news conglomerates. Alternative stations and publishers dedicated themselves to sharing a new face of information in a precarious manner, sometimes bordering on the legal issue. During the 20th century, these media struggled with numerous adversities, but with the arrival of the internet, their nature changed radically. With this new form of communication brought about by the application of the internet to traditional media, alternative channels experimented with new ways of operating, maintaining themselves, and reaching new corners of the world, creating new communities. This paper compares case studies to see how these alternative media have evolved over the course of their existence and then analyzes their changes with the introduction of the Internet as an essential element in all functional areas of these media outlets. This case study addresses objectives and hypotheses developed within a theoretical framework to understand the history of these media, their evolution, their present and their possible future.
Direction
SIXTO GARCIA, JOSE (Tutorships)
SIXTO GARCIA, JOSE (Tutorships)
Court
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)
lowpro. Magazine: Instagram-based magazine about music and urban culture
Authorship
H.V.B.
Master's Degree in Journalism and Multimedia Communication
H.V.B.
Master's Degree in Journalism and Multimedia Communication
Defense date
07.07.2025 09:30
07.07.2025 09:30
Summary
This Master's Thesis on Product presents lowpro. Magazine, a digital magazine project designed for Instagram about music and contemporary urban culture. The purpose of this platform is to give visibility, from a perspective of respect and knowledge, to all those creative profiles who, despite not receiving the necessary attention on the covers or headlines of other media, their work is essential to the development of the urban cultural scene. These are: producers, DJs, designers, photographers, promoters, collectives, and clubs. Similarly, lowpro. Magazine proposes a critical and contextualized reading of urban cultural movements, with the aim of understanding their direct influence on pop culture and current creative scenes. This document covers all phases of the project's development, from its conceptualization and strategic planning to its execution, evaluation, and future viability analysis. The methodology applied follows a staged-specific project management approach and the launch of the medium, utilizing tools from the fields of communication and digital creation. It created and published three key formats in three distinct areas: interviews with prominent figures in the urban scene, informative videos in reel format, and recommendations of recent music releases. Since the official launch of the @lowpro.magazine account on March 3, 2025, a total of thirteen posts have been shared, reaching nearly 19,000 unique accounts and surpassing 50,000 cumulative views in total. These figures have validated the community's interest and also garnered organic interactions with verified profiles and key creatives from the urban scene, strengthening its position as an emerging media outlet with its own unique perspective. This project demonstrates the true potential of an independent media outlet, built on a thoughtful editorial approach, a coherent visual identity, and a committed cultural narrative. Thanks to its culturally linked mission and its thoughtful graphic design, lowpro. Magazine not only aims to establish itself as a leading space in the digital ecosystem, but also to propose new ways of communicating the urban world with rigor and sensitivity, with forward-looking perspectives.
This Master's Thesis on Product presents lowpro. Magazine, a digital magazine project designed for Instagram about music and contemporary urban culture. The purpose of this platform is to give visibility, from a perspective of respect and knowledge, to all those creative profiles who, despite not receiving the necessary attention on the covers or headlines of other media, their work is essential to the development of the urban cultural scene. These are: producers, DJs, designers, photographers, promoters, collectives, and clubs. Similarly, lowpro. Magazine proposes a critical and contextualized reading of urban cultural movements, with the aim of understanding their direct influence on pop culture and current creative scenes. This document covers all phases of the project's development, from its conceptualization and strategic planning to its execution, evaluation, and future viability analysis. The methodology applied follows a staged-specific project management approach and the launch of the medium, utilizing tools from the fields of communication and digital creation. It created and published three key formats in three distinct areas: interviews with prominent figures in the urban scene, informative videos in reel format, and recommendations of recent music releases. Since the official launch of the @lowpro.magazine account on March 3, 2025, a total of thirteen posts have been shared, reaching nearly 19,000 unique accounts and surpassing 50,000 cumulative views in total. These figures have validated the community's interest and also garnered organic interactions with verified profiles and key creatives from the urban scene, strengthening its position as an emerging media outlet with its own unique perspective. This project demonstrates the true potential of an independent media outlet, built on a thoughtful editorial approach, a coherent visual identity, and a committed cultural narrative. Thanks to its culturally linked mission and its thoughtful graphic design, lowpro. Magazine not only aims to establish itself as a leading space in the digital ecosystem, but also to propose new ways of communicating the urban world with rigor and sensitivity, with forward-looking perspectives.
Direction
SIXTO GARCIA, JOSE (Tutorships)
SIXTO GARCIA, JOSE (Tutorships)
Court
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)
Silva Rodríguez, Alba (Chairman)
Rodríguez Castro, Marta (Secretary)
RIVAS DE ROCA GARCIA, RUBEN RAFAEL (Member)